Citrix viewer high sierra
El Cabo de San Antonio, the Isla del Portichol, the sea and the rocks.
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"One of the great things about Sorolla is that he knew how to transmit the colour and emotion of the landscape to the viewer," says Lourdes Moreno, the artistic director of the Museo Carmen Thyssen Málaga. This allowed him to use modern approaches and experiment with transparencies, with how the body dilutes between the light and the crystalline water. Here, he didn't have to paint for anybody, only himself. In Javea, Sorolla found a "small refuge, a paradise far from the noise and his clients," says Varla. 'Īll of them were created in that coastal town, most in the 'happy year' of 1905, and reflect the artist's impression of the natural environment and his taste for family scenes. Sorolla en Jávea and the painting Rocas de Jávea y la Bote Blanco, connect the Carmen Thyssen-Bornemisza Collection with the twenty-six other paintings on loan from the Museo Sorolla Madrid. "It is exceptional, we thought about it a lot, " explains the director of the museum and curator of the exhibition, Enrique Varela, aware that it is one of the pieces that the public most want to see when they visit. Here hangs the painting Nadadores, one of the most emblematic paintings of the artist and which has literally been removed from the wall of the museum in Madrid to bring it to Malaga. One's gaze is immediately drawn towards the back wall of the Sala Noble in the Thyssen museum. The Carmen Thyssen Museum concentrates on that summer at the beginning of the century, on the shores of the Mediterranean, with an exhibition "small but intense" which demonstrates Sorolla "in his prime." His last visit was in 1905, a year before he became internationally known. That is why he would return to the same place three more times to spend long periods there, accompanied by his family. He went there for a commission related to vine cultivation but left with the certainty of having found the light he had long sought for his canvases.
Sorolla sent this telegram to his wife Clotilde as soon as he arrived at Marina Alta on 7 October, 1896, "Javea is sublime, it's immense, the best I know for painting.